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Subject:
From:
Momodou S Sidibeh <[log in to unmask]>
Reply To:
The Gambia and related-issues mailing list <[log in to unmask]>
Date:
Thu, 20 Mar 2003 01:18:39 +0100
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Bro Ous,

Yes, Alberr's death was equally devastating. Unfortunately, I am myself not very conversant with the circumstances surrounding his death. I cannot even remember what year it occured. 
It was the sort of hugely sad news that comes through the grapevine. I learnt Alberr lived in the Ivory Coast where he relocated after Ifang Bondi's formal break-up. I believe he died there three or four (perhaps more)  years ago? Maybe someone can provide solid information on this. Needless to say, we do need to record these milestones in our history.

Good Night,
Sidibeh

----- Original Message ----- 
From: "Ousman Bojang" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Thursday, March 20, 2003 12:50 AM
Subject: Re: (Fwd) Pa Touray


> It so is sad. May his Soul Rest in Perfect Peace. My condolences to the family. I did not know Alberr died too awhile ago. May grant all those who passes Jannah.
> 
> Ousman Jallow Bojang.
>  Momodou S Sidibeh <[log in to unmask]> wrote:Hi All,
> 
> Truely sad day for Gambia. Pa Touray's death is a great loss to the nation and marks perhaps a definite demise of a generation of musicians that championed the uniquely Gambian Afro Manding sound.
> 
> While I join every one in mourning the death of Pa Touray, I am aslo disturbed by the cultural questions his death provokes. My generation has not known any other group of musicians in Gambia that magically captured the imagination of an entire youth population. Ifang Bondi bloomed in the Gambia of the 70s at a peirod of immense musical creativity and artistic innovativeness around our region in West Africa. There was serious competition from Guelewar, there was Laba Sosseh and Étoiles de Dakar in Senegal, Rail Band in Mali and especially Bembeya from Sekou Touray's Guinea. Many younger Gambian musicians have formed constellations of one shade or another but I doubt if any has yet matched the originality of Ifang Bondi's music as climaxed in songs like Saaraba, Nyepeto, Koto Waali, Yolele, Duuma Julo, and others. Yet Ifang's organisational tenacity proved impossible to prevent its division before it made a lasting impact on the international stage beyond Africa's frontiers. Why did that happen?
> 
> Many of us have come to know Abess at a personal level while he lived in Sweden. The Organisation of Gambians in Sweden had engaged the group on a number of occassions for culturally rewarding performances in Stockholm since the mid eighties. We grew to love and respect Pa Touray as a brother and an extremely talented musician. He has greatly enriched the lives of so many people who still take delight in his music. I am extending my heartfelt condolences to his travelling companions in Ifang Bondi (Karamo, Badou Jobe, Kunon Jarjutay, the inhabitants of Kelebes Kunda (...and remembering Alberr who died a long while ago), Chaala and Jatou Njai and the entire extended family. May Allah shower him with much mercy and eternal peace.
> 
> Momodou S Sidibeh
> 
> 
> 
> 
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