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Subject:
From:
Momodou Camara <[log in to unmask]>
Reply To:
The Gambia and related-issues mailing list <[log in to unmask]>
Date:
Fri, 11 Apr 2003 10:37:25 -0500
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Final proof that war is about the failure of the human spirit
By Robert Fisk in Baghdad - 10 April 2003

http://argument.independent.co.uk/commentators/story.jsp?story=395680

It was a scene from the Crimean War; a hospital of screaming wounded and
floors running with blood. I stepped in the stuff; it stuck to my shoes, to
the clothes of all the doctors in the packed emergency room, it swamped the
passageways and the blankets and sheets.

The Iraqi civilians and soldiers brought to the Adnan Khairallah Martyr
Hospital in the last hours of Saddam Hussein's regime yesterday - sometimes
still clinging to severed limbs - are the dark side of victory and defeat;
final proof, like the dead who are buried within hours, that war is about
thetotal failure of the human spirit. As I wandered amid the beds and the
groaning men and women lying on them - Dante's visit to the circles of hell
should have included these visions - the same old questions recurred. Was
this for 11 September? For human rights? For weapons of mass destruction?

In a jammed corridor, I came across a middle-aged man on a soaked hospital
trolley. He had a head wound which was almost indescribable. From his right
eye socket hung a handkerchief that was streaming blood on to the floor. A
little girl lay on a filthy bed, one leg broken, the other so badly gouged
out by shrapnel during an American air attack that the only way doctors
could prevent her moving it was to tie her foot to a rope weighed down with
concrete blocks.

Her name was Rawa Sabri. And as I walked through this place of horror, the
American shelling began to bracket the Tigris river outside, bringing back
to the wounded the terror of death which they had suffered only hours
before. The road bridge I had just crossed to reach the hospital came under
fire and clouds of cordite smoke drifted over the medical centre.
Tremendous explosions shook the wards and corridors as doctors pushed
shrieking children away from the windows.

Florence Nightingale never reached this part of the old Ottoman Empire. But
her equivalent is Dr Khaldoun al-Baeri, the director and chief surgeon, a
gently-spoken man who has slept an hour a day for six days and who is
trying to save the lives of more than a hundred souls a day with one
generator and half his operating theatres out of use - you cannot carry
patients in your arms to the 16th floor when they are coughing blood.

Dr Baeri speaks like a sleepwalker, trying to describe how difficult it is
to stop a wounded man or woman from suffocating when they have been wounded
in the thorax, explaining that after four operations to extract metal from
the brains of his patients, he is almost too tired to think, let alone in
English. As I leave him, he tells me that he does not know where his family
is.

"Our house was hit and my neighbours sent a message to tell me they sent
them away somewhere. I do not know where. I have two little girls, they are
twins, and I told them they must be brave because their father had to work
night and day at the hospital and they mustn't cry because I have to work
for humanity.
And now I have no idea where they are." Then Dr Baeri choked on his words
and began to cry and could not say goodbye.

There was a man on the second floor with a fearful wound to the neck. It
seemed the doctors could not staunch his blood and he was dribbling his
life away all over the floor. Something wicked and sharp had cut into his
stomach and six inches of bandages could not stop the blood from pumping
out of him. His brother stood beside him and raised his hand to me and
asked: "Why? Why?"

A small child with a drip-feed in its nose lay on a blanket. It had had to
wait four days for an operation. Its eyes looked dead. I didn't have the
heart to ask its mother if this was a boy or a girl.

There was an air strike perhaps half a mile away and the hospital corridors
echoed with the blast, long and low and powerful, and it was followed by a
rising chorus of moans and cries from the children outside the wards. Below
them, in that worst of all emergency rooms, they had brought in three men
who had been burned across their faces and arms and chests and legs; naked
men with a skin of blood and tissues whom the doctors pasted with white
cream, who sat on their beds with their skinless arms held upwards, each
beseeching a non-existing saviour to rescue him from his pain.

"No! No! No!" another young man screamed as doctors tried to cut open his
pants. He shrieked and cried and whinnied like a horse. I thought he was a
soldier. He looked tough and strong and well fed but now he was a child
again and he cried: "Umma, Umma [Mummy, mummy]".

I left this awful hospital to find the American shells falling in the river
outside. I noticed, too, some military tents on a small patch of grass near
the hospital's administration building and - "God damn it," I said under my
breath - an armoured vehicle with a gun mounted on it, hidden under
branches and foliage. It was only a few metres inside the hospital grounds.
But the hospital was being used to conceal it. And I couldn't help noticing
the name of the hospital. Adnan Khairallah had been President Saddam's
minister of defence, a man who allegedly fell out with his leader and died
in a helicopter crash whose cause was never explained.

Even in the last hours of the Battle of Baghdad, its victims had to lie in a
building named in honour of a murdered man.



http://www.robert-fisk.com

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