BROTHER BABA GALLEH: Without reservations and hesitations, I would strongly recommend that you would do a VERY FINE job as a HOLLY WOOD SCREEN WRITER or a New York City Theater PLAY WRITER. To my humble opinion, these kind of THINKING jobs would be the ideal kind of jobs for you in which you could earn job satisfaction. I said this because in critiquing your Satires, I have discovered the following essential qualities in you: (1) "SATIRICAL ORIENTATION":- You have the ability in orientating between differing levels or stages in your Satires without distorting or obscuring the hidden image or portray of the Satires. To state it more specifically, you have the fluency of navigating from one satirical terrain to another whiles still maintaining your reference point within the same grid square. This quality of yours tend to make critiquing of your Satires absolutely challenging, because your orientation from a level to another, respectively, tends to force the Critic to always have a second though about the Satires. A typical example of your satirical orientation is the connexion between RHINEHEART SOBERLOOK spreading his NET and BUSULU FOREST. In each case, we have two different or sometimes similar kinds of Leaders emerging, each of which has experienced different or similar kind of administrations. In any case, this is the central purpose of every satire. (2) USES OF SATIRICAL NOMENCLATURES:- Your using of Traditional Satirical Nomenclatures is another great quality of yours which tremendously aids in comprehending your satires as true cultural satires, which vividly illustrates life experiences in our own cultures; those nomenclatures come in various traditional names, which make the satire culturally neutral. (3) SIMPLICITY:- I have also discovered that your Satires are always easy and simple to follow. In most instances, the Critic could easily maps out his/her way as early as in your first paragraph; but he/she could also easily get lost within your orientation. Therefore, considering the above qualities in your writings, in critiquing BUSULU FOREST, I once again got lost in the galaxies as a result of your satirical orientation. Initially, I though that the story was lamenting about POST-RHINEHEART SOBERLOOK, but as I went through it again, the emergence of WULA FOX at the end of the satire made me to change my mind, and instead chose PRE-RHINEHEART SOBERLOOK era as oppose to POST. In BUSULU FOREST, you eloquently highlighted how life was like when MANSA KUMAJANG was reining; but you only briefly mentioned about FORMER VASSAL CHIEF, who was chased away by MANSA KUMAJANG. There is not much difference between RhineHeart Soberlook and Mansa Kumajang since both have experienced some kinds of threat to their regimes, and also abominable corruption and huge networks of espionage in an attempt to mind-hunt or silence their critics. In conclusion, BABA, you have accomplished another advanced heights in orientating between RhineHeart Soberlook and Mansa Kumajang of Busulu Forest. What ever era you may be referring to as that is only known to the Satirist, each of these two eras are intertwined, with one succeeding the other. To that end, BABA, I extend to you my sincere appreciation for another excellent job done. Ansumana Kujabi >From: Omar Hatab <[log in to unmask]> >Reply-To: The Gambia and related-issues mailing list ><[log in to unmask]> >To: [log in to unmask] >Subject: PHANTOM TALES FROM BUSULU FOREST >Date: Tue, 20 Mar 2001 21:58:54 -0000 > _________________________________________________________________________ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. ---------------------------------------------------------------------------- To unsubscribe/subscribe or view archives of postings, go to the Gambia-L Web interface at: http://maelstrom.stjohns.edu/archives/gambia-l.html You may also send subscription requests to [log in to unmask] if you have problems accessing the web interface and remember to write your full name and e-mail address. ----------------------------------------------------------------------------