Honestly Mr Kujabi Sir

This time you really missed the point of my story. You not only missed the point, but you strayed far way way beyond the intent, purpose, theme and subject of my tale. I would humbly suggest you go back and re-read PHANTOM TALES FROM BUSULU FOREST. Not only re-read it, but READ BETWEEN THE LINES AND BENEATH THE LINES. That way you may get my point. As it is now, your critique is just an uninformed fumble in the dark, a confused mishmash of disoriented speculatory ramblings. Good day.

Baba

>From: Ansumana Kujabi <[log in to unmask]>
>Reply-To: The Gambia and related-issues mailing list <[log in to unmask]>
>To: [log in to unmask]
>Subject: Re: PHANTOM TALES FROM BUSULU FOREST:(CRTQ # IV)
>Date: Fri, 23 Mar 2001 09:50:11 -0000
>
>BROTHER BABA GALLEH:
>
>Without reservations and hesitations, I would strongly recommend
>that you
>would do a VERY FINE job as a HOLLY WOOD SCREEN WRITER or a New York
>City
>Theater PLAY WRITER. To my humble opinion, these kind of THINKING
>jobs would
>be the ideal kind of jobs for you in which you could earn job
>satisfaction.
>I said this because in critiquing your Satires, I have discovered
>the
>following essential qualities in you:
>
>(1) "SATIRICAL ORIENTATION":- You have the ability in orientating
>between
>differing levels or stages in your Satires without distorting or
>obscuring
>the hidden image or portray of the Satires. To state it more
>specifically,
>you have the fluency of navigating from one satirical terrain to
>another
>whiles still maintaining your reference point within the same grid
>square.
>This quality of yours tend to make critiquing of your Satires
>absolutely
>challenging, because your orientation from a level to another,
>respectively,
>tends to force the Critic to always have a second though about the
>Satires.
>A typical example of your satirical orientation is the connexion
>between
>RHINEHEART SOBERLOOK spreading his NET and BUSULU FOREST. In each
>case, we
>have two different or sometimes similar kinds of Leaders emerging,
>each of
>which has experienced different or similar kind of administrations.
>In any
>case, this is the central purpose of every satire.
>
>(2) USES OF SATIRICAL NOMENCLATURES:- Your using of Traditional
>Satirical
>Nomenclatures is another great quality of yours which tremendously
>aids in
>comprehending your satires as true cultural satires, which vividly
>illustrates life experiences in our own cultures; those
>nomenclatures come
>in various traditional names, which make the satire culturally
>neutral.
>
>(3) SIMPLICITY:- I have also discovered that your Satires are always
>easy
>and simple to follow. In most instances, the Critic could easily
>maps out
>his/her way as early as in your first paragraph; but he/she could
>also
>easily get lost within your orientation.
>
>Therefore, considering the above qualities in your writings, in
>critiquing
>BUSULU FOREST, I once again got lost in the galaxies as a result of
>your
>satirical orientation. Initially, I though that the story was
>lamenting
>about POST-RHINEHEART SOBERLOOK, but as I went through it again, the
>emergence of WULA FOX at the end of the satire made me to change my
>mind,
>and instead chose PRE-RHINEHEART SOBERLOOK era as oppose to POST. In
>BUSULU
>FOREST, you eloquently highlighted how life was like when MANSA
>KUMAJANG was
>reining; but you only briefly mentioned about FORMER VASSAL CHIEF,
>who was
>chased away by MANSA KUMAJANG. There is not much difference between
>RhineHeart Soberlook and Mansa Kumajang since both have experienced
>some
>kinds of threat to their regimes, and also abominable corruption and
>huge
>networks of espionage in an attempt to mind-hunt or silence their
>critics.
>
>In conclusion, BABA, you have accomplished another advanced heights
>in
>orientating between RhineHeart Soberlook and Mansa Kumajang of
>Busulu
>Forest. What ever era you may be referring to as that is only known
>to the
>Satirist, each of these two eras are intertwined, with one
>succeeding the
>other. To that end, BABA, I extend to you my sincere appreciation
>for
>another excellent job done.
>
>Ansumana Kujabi
>
>
>>From: Omar Hatab <[log in to unmask]>
>>Reply-To: The Gambia and related-issues mailing list
>><[log in to unmask]>
>>To: [log in to unmask]
>>Subject: PHANTOM TALES FROM BUSULU FOREST
>>Date: Tue, 20 Mar 2001 21:58:54 -0000
>>
>
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